Cinesamples Cinebrass Twelve Horn Ensemble Crack
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We literally recorded twelve horns at Sony’s MGM Studio in Hollywood, a studio that is well known for its rich brass sound. It allows you to tailor the legato response to your own playing style, and is designed to respond musically to your performance. The engine detects your playing speed and intelligently adjusts the interval speed to match. This means you can play slow, expressive lines and fast runs in a single performance, without touching the speed dial.
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By Dave Stewart West Coast samplists Cinesamples stay ethical with their major new orchestral brass library. The library’s trombone ensemble features some star names: Alex Iles has played on hundreds of TV and movie soundtracks, while Bruce Fowler distinguished himself with recordings and live appearances with Frank Zappa and Captain Beefheart who memorably credited him as playing ‘air bass’.
Along with tuba players Doug Tornquist and Jim Self who also plays cimbasso , these players are first-choice soloists for most film scores recorded in Los Angeles. Media composers in Los Angeles and London share the same problem: CineBrass’ Kontakt main screen, showing volume faders for the various mic positions.
The eight pink keyswitches activate from low to high monophonic legato mode, polyphonic legato mode, short staccatos, double-tongue repeat, triple-tongue repeats, tenuto short notes, marcato short notes and sustains.
On Stranger Tides. CineBrass is available in two forms: Both libraries run on Mac and PC on the full version of Kontakt 4 and up, which must be bought separately — the samples will not work with Native Instruments’ free Kontakt Player.
Taken together, the Core and Pro libraries’ instrumentation comprises trumpet, French horn and trombone solo and ensemble , bass trombone, tuba and cimbasso, with the lower brass playing together in various combinations.
The staccatos are very short indeed, ideal for incisive, jabbing accents; the tenutos sound like longer staccatos, while the marcatos equate to quarter notes at around 90 bpm.
The default ‘Velocity’ preset allows speed of touch to control note lengths: In this preset, long notes are selected by holding down the sustain pedal, but keeping the pedal pressed down doesn’t sustain notes after you release the keys. In CineBrass, dynamics are largely controlled by the mod wheel, enabling you to perform your own dramatic swells and fades. The producers say that the natural-sounding timbral changes one hears within these dynamic movements are achieved by morphing rather than conventional crossfading — but whatever the technical rationale, they certainly sound smooth and free of any ‘stepping’ or chorusing.
In an improvement on conventional monophonic operation, the legatos may also be played polyphonically, with excellent musical results: No big deal, though It’s worth noting that in the core library the solo instruments’ legatos are restricted to one mf dynamic layer; in the Pro expansion, that’s increased to four layers, pp to fff. So if you need to program highly dynamic or very strident solo trumpet or horn legato lines, Pro would be the way to go; that said, the warm, expressive mf legatos of the solo horn and trumpet in the core library are highly effective and very enjoyable to play.
With the latter you can play legato harmony lines and chords in real time! The effect which sounds particularly exciting on chords operates on staccato notes. Green lights above each channel indicate the active mic positions. Another big plus is this section’s excellent legatos. Some makers curtail the ranges of their legato instruments, but CineBrass’ horns span over four octaves, sailing unwaveringly up into the high trumpet register.
With their wide, pp-fff dynamic range and creamy transitions, these are some of the most playable and convincing legatos I’ve heard. Ripping stuff! However, whether by accident or design, this mapping does tend to generate some musical-sounding voice leading! For the Pro expansion, the makers pushed the boat out and hired 12 horn players, more than enough for any occasion, save, perhaps, the Day of Judgement. The only thing missing is the pitch slides at which this instrument excels.
These samples are combined in a ‘Low Brass Pads’ patch featuring trombones in the right hand and unison tuba and bass trombone in the bass. The patch sounds big and fruity and spans a very wide range. Full Brass Ensemble: Nothing too revolutionary there, but in the Pro library the effects have been greatly expanded. Prior to recording, Cinesamples enlisted TV composer and violinist Michael Levine to make suggestions on the content of the new effects section.
Levine who conducted the players on the day also canvassed fellow composers for ideas they’d like to see included. The results are great. Having spent an absorbing half hour playing these discordant effects, I’d like to congratulate the madman who composed them: Most fall into the ‘very loud and very scary’ category and offer useful variants like sfz staccatos, long crescendos and fortepiano, and many of the loud deliveries are supported by unrestrained, fortissimo, contrabass trombone blasts of enormous power.
The quiet discords some of which feature muted trumpets are less visceral, but more creepy and unsettling. It’s not all death and madness: Fifths and octave unisons are also provided. A complete patch list can be seen at http: General Comments At the time of writing, no multis had been provided for the Pro version.
The core library’s free v1. You can also use this layering to create fortepianos by pushing up the mod wheel, playing loudly to trigger the attack then fading the sustain samples down with the wheel.
With some patches mapped over six or more octaves, CineBrass benefits from being played via an note master keyboard. Conclusion Though woodwinds are beautiful and percussion is exciting, strings and brass are the foundation of orchestral sound, especially in film music, where the use of brass has intensified in recent years. Mike Barry says: They are supreme masters of tone, phrasing and stamina. Without them, the music lacks the intangible soundtrack quality.
CineBrass met my expectations, and more. The Vienna library has the largest menu of articulations of all, but no bass trombone and cimbasso — they’re in VSL’s Brass II collection.
Room Full of Mics CineBrass was recorded from three mic positions: To save on RAM, the factory patches load only the full mix samples, after which you can manually select the other options. I tend to agree with Mike Barry’s assertion that “close-miked brass sounds irritatingly fictitious and doesn’t place itself mix-wise in the places we are used to hearing.
However, it’s worth bearing in mind that since these are actual reverb samples, rather than effects, they will double RAM consumption. As ever, sticking to one mic position while composing will avoid over-taxing your system, and once you’re happy with the arrangement you can experiment with different mics and pannings before bouncing.
Your version of Kontakt 4 must be updated to 4. You only need to extract the first RAR file entitled ‘Part 1’ , and the remaining parts will automatically follow; any attempt to manually extract the other files will cause unnecessary folder duplication.
The final step of preparing these libraries for use is to activate them at Native Instrument’s Service Centre using the supplied licence code, after which you can add the library to Kontakt’s database. In my experience, both the activation and ‘add’ processes occasionally fail to work on the first attempt: A tip for users: However, as is often the case with Kontakt libraries, re-saving all the patches without changing their names reduced loading times dramatically.
Played by top LA session and orchestral players. Terrific, punchy short staccatos and soaring real legatos. Cons No played trills or runs. The sophisticated programming might go over the head of some beginners, but experienced composers and players will love its musicality, dynamism and sonic grandeur.
In short, if you want the big, bold sound of contemporary film-score orchestral brass, CineBrass has it in abundance.
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Our CineBrass CORE library, released in June , covers the essentials of the orchestral brass section, and functions as a solid foundation in our composing templates. But what about all the other things brass can do? We asked you, the film music community, what you wanted to see in an expansion. At the heart of this expansion are the finest collection of brass soloists ever sampled.
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CineBrass Twelve Horn Ensemble is an improved version of the classic Twelve These patches feature the Cinesamples Adaptive Legato Engine from CineStrings Works with the Free Kontakt Player v and higher. Samplephonics – Contorted Future Multiformat download full online. With the exception of one, all of these are Kontakt-based instruments. . CineBrass Core– “The CineBrass Core Library is Cinesamples’ orchestral Like CineBrass Core and Pro, CineBrass Descant Horn was recorded at The Trumpet Ensemble Effects preset is particularly satisfying with short cluster.