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Nero Video

Here’s a cheat sheet of what new for Nero Video since our last review: To test the Nero waters, you can download a free day trial version for the price of an email address—with no credit card information required. The software requires Windows 10, 8, or 7 bit and bit are both supported. First you download a small stub program that downloads and installs the actual program, which takes up a surprisingly large 2.

The installer also installed a separate Music Recorder app installation and the TuneItUp system optimizer utility. This wouldn’t be a problem, except that they turned out to be completely unrelated to Nero Video.

View All 9 Photos in Gallery Interface and Editing Basics When you first run the video editor, a registration dialog pops up, and then you get to the Launcher for the whole Nero suite, even if you’ve only installed Video. When you launch the video editor proper from this, the interface looks different from most editors, and it feels a bit outdated.

Still, the way to get going is clear enough: You can start capturing media from a device, open the editor or an existing project, or start a disc-burning project. You can simply drag and drop files onto the program window.

That product has been replaced by video editing functions in the Photos app in Windows Another is Edit Vertical Video, which smartphone cinematographers will appreciate, but purists will hate.

New for the version is Live Guide, a right-side panel with links to the manual, FAQs, and video tutorials. It’s not searchable, but the similar KnowHow panel is! KnowHow also offers FAQs, manuals, tutorials, a glossary, and links to user forums. I’m not sure why both tools are necessary with all that duplication. You can turn Live Guide on with a toggle at the top of the interface, and it also offers feedback options. When I tried importing 4K content from an iPhone X, I was prompted to activate support for the format.

Ditto for the efficient H. Both of those formats aren’t available in the free trial version. The editor also now boasts 4K effects and templates. You can adjust the ratio between preview quality and performance the former reduces the latter on weaker hardware. The default timeline view—Express Editing—shows clip thumbnails in a storyboard format. Tapping the big vertical tab on the right labeled Advanced Editing switches you to the more standard timeline track view. You can’t switch back to Express if you make edits in Advanced.

When you drag a clip onto the timeline, it nicely snaps next to the last clip. The timeline is easy to expand and contract with the mouse wheel. One limitation is that right-clicking on a clip doesn’t offer to show you its file information. But if you double click, a trimming window opens, which has a tab with clip details like video format, resolution, and frame rate.

There are plenty of undo levels, however, with a big button for that purpose along the bottom. You can easily start full-screen playback with a button, or even view it on a separate monitor, thanks to the Extended Screen button option. I did this successfully on an external HDTV. Double-clicking a clip in the timeline opens a trimmer window, which lets you precisely set start and end points, down to the single frame. You can set markers, but to mark in and out cuts you need to open the Trimmer window.

Cutter, slip, and roll tools accommodate more advanced editing styles. Express Editing is of course much simpler, and if even that is too much effort, Nero offers 90 1-Click themes that automatically add intros, titles, transitions, and background music based on activities and styles, such as sports, kids, and retro.

It’s actually less labor intensive than Adobe Rush , the media software giant’s attempt at accelerated video editing and sharing. Advanced Video Effects Under your source media, you tap the Effect Palette to open speed effects, stabilizer, keying, color, audio, text, transitions, clip art—in short, everything you’d use to jazz up your video. You get a healthy selection of transitions, though it’s nowhere near as many as Pinnacle Studio offers; there are some nice creative ones, but there aren’t any true 3D choices among them.

It’s the only editor I’ve tested that doesn’t have sample animations for the transitions, so you don’t see exactly what they do until you apply them to your clip. Nero Video also lacks Final Cut Pro X’s easy way of adding cross-fades by simply pulling down the clip corners on the timeline to add the transitions. Adding transitions to the timeline is easy, since the program figures out the clip overlap for you.

On the other hand, you can only adjust its duration, not the precise clip positioning, which may prove irritating at times. There’s no search for transitions and effects, which is unfortunate, since they’re all in one long list.

Once you’ve found transitions you like, you can add them to your Favorites section, however, and this can help you find them again more quickly. If you’re looking to do green-screen work, look elsewhere: Nero delivered the worst chroma-keying results I’ve seen in a video editor.

I used the same actor on an imperfect green screen background, which other programs like Adobe Premiere Elements were able to convincingly superimpose on background forest and beach scenes almost instantly.

With Nero Video, the initial application of the effect was completely unusable, with parts of the model made transparent, even when I used the eyedropper tool to sample the green background shade. Using the Similarity slider to add back the missing parts of the model made things no better, as it also added back green background. Other editors get a better result on first click than Nero does after tweaking. PowerDirector even lets you choose multiple key colors. On the plus side, Nero lets you create a mask or invert the selection.

For picture-in-picture PiP effects, I like that Nero’s video preview window has handles at the corners for resizing PiPs. This also includes animated caption templates.

Using it can be trying, however, since your clip has to be longer than the template’s clip length. The program also includes stabilization, speedup and slowdown effects though no specific freeze-frame tool , and tilt shift. There are also decent animated text options, clip art, and backgrounds. Nero even includes keyframe support, for gradually applying effects between frames you mark. Color correction is there but pretty basic, you can adjust HSL and lighting or apply drastic effects with the Creative Color tool, but there are no color wheels or CLUT support.

You also don’t get some tools that you’ll find in several more-current competitors, including motion tracking, multicam editing, clip pre-trimming, degree support, and 3D support, to name a few. Audio Editing Nero includes a decent selection of background music, and it lets you unlink audio from video clips.

One very nice audio editing tool is Fit Music, but it just faded the song, rather than recomposing it as VideoStudio’s tool does.

Noise reduction, compression, reverb, de-ess, high-pass, and other standard audio effects are included. Sharing and Output You get to Nero Video’s output options by tapping the big Next arrow at the bottom of the editor screen. You can also export audio separately or send your movie via email. One surprisingly missing option is to the ability share video directly to online social networks, something found in abundance in the competition.

Nero Video includes a Multi-Export function that can auto-detect scenes in a long video and create shorter clips of a length you’ve specified. So you could be working with a minute video but just want second clips. When I tried this on a three-minute music video, it broke my clip into a dozen separate clips, each starting with a new shot, though it did miss some scene changes. The same detection is use for the Ad-Spotter tool, in case you download broadcast shows and want to clean out the ads.

But back to the Multi-Export tool: This simply lets you export all clips within a video in one action, including those clips you create with scene detection. The Web output option simply saves a file in online-friendly formats. But after I chose Export to Web, rendered the video file, and installed another program update, the option to log into a YouTube account and upload to that site appeared.

Facebook and Vimeo were nowhere to be found, though. Nero’s own online storage has been discontinued, and the company doesn’t have an equivalent to CyberLink’s DirectorZone for sharing movies and effects. Performance Testing Nero Video did not exhibit slowness or wait periods during simple and advanced video editing and importing.

It was also reasonably fast at rendering a movie project to a video file in my testing, though trailing the leaders, CyberLink PowerDirector and Pinnacle Studio. I test rendering time by creating a movie consisting of four clips of mixed types some p, some SD, some 4K with a standard set of transitions, and rendering it to p MPEG-4 at 15Mbps, H.

The test movie whose duration is just under five minutes took Nero Video 2: The speed leader, PowerDirector, took just 1 minute and 39 seconds to render the same project, and Pinnacle Studio came in at 2: Nero handily topped two other contenders tested, Corel VideoStudio , which took 4: The Emperor of Video Editors? If you’re looking to save some coin while getting a decent set of video editing tools, Nero Video could be for you—that is, as long as you don’t mind its outdated, less than intuitive interface and the lack of support for new techniques.

Nero is plenty fast at rendering, but for faster performance and a much fuller palette, look to our top picks for enthusiast-level PC video editing software, CyberLink PowerDirector and Corel VideoStudio. Nero Video.

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Download Quite some time ago, Nero managed to leave behind that idea that it was only a program to record CDs and DVDs to now become one of the most complete multimedia suites out there. But times have changed. Now there are much more appropriate and comfortable supports to save, transport, and access information than a simple disc that will end up deteriorating or getting damaged. And neither do we consume multimedia contents like yesteryear. CDs, DVDs, and Blu-rays have given way to external memory drivers and cloud storage, whilst downloading music, movies, series, and games has lost out to online services of the likes of Spotify, Netflix or Steam. Control any aspect of your digital life wherever you go.

VIDEO: Nero Video Review & Rating | crack.u6831481.isp.regruhosting.ru

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