PreSonus Studio One 4
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Whether you sing, play guitar or want to record a keyboard or other instrument, this guide will help you decide which interface will suit your needs. Last Updated: June 28, Which are the best audio interfaces?
The Ultimate Guide to Audio Interfaces
PreSonus had ticked all the boxes, appropriated all the features, and designed an interface that was familiar enough to attract casual Cubase users while being serious enough to pull in seasoned Pro Tools professionals, and vice versa. It was no longer the underdog, and no second fiddles needed playing: PreSonus decided to get creative.
This can be purely informational, but where it gets interesting is where you use it to modify and control the harmonic content of your music. Studio One already knows and understands the notes on the track and can identify the chords being used. Change the chord in the Chord Track and the notes are moved to conform.
Once the chordal structure is known, Studio One can transpose the audio in real time to follow the Chord Track. You can choose keys and chords, types and qualities, root notes and intervals. Create and edit chords in the Chord Wheel, and the harmonic content follows the Chord Track. Even better is step automation. Although each step can contain multiple notes, automation is applied to every note in that step. You can, in fact, automate anything you like here.
This is separate from track automation, and only appears in the pattern editor. The lanes have their own mute and solo buttons, and individual pattern lengths and resolutions, so you can conjure up whatever polyrhythmic combinations of timings you want. All the same automation lanes are available in this mode, making full use of the Repeat and Probability functions. This does indeed house patterns and variations, and they are indeed pretty fabulous.
Drag them across and they load up with an instance of Impact and the right kit all ready to go. Percussive Patterns can feature different lengths and resolutions across multiple lanes, helping to create complex polyrhythms. The first thing these improvements bring is some very welcome colour. The previous versions of these instruments seem terribly basic and dated in comparison.
Each group of 16 pads gets mapped across your keyboard, so you could reach them all if you had enough keys; otherwise, they are tabbed in the interface. Each pad can be routed to one of 16 stereo or 16 mono outputs. You can pull samples in from anywhere and drop them onto pads; holding Shift while you do so will have loops automatically sliced across multiple pads.
Patterns combines seamlessly with the new Impact XT sampler. The big new feature in Sample One XT is the ability to record audio. Yes, you can actually sample into the sampler! You can record from any physical input or track or bus routed in from the Console.
The same Pitch, Amp and Filter controls as are found in Impact are available, along with an LFO, but these act over the whole instrument, not individual samples. The flow when working with these instruments is truly remarkable.
The mapping is simple, the envelopes are obvious, the editing straightforward. Sample One XT now incorporates live sampling. Sample One is certainly easier and faster to use, but Presence can handle larger instruments with multiple layers of velocity and has more modulation abilities. Whether these have been dreamt up by PreSonus or borrowed from elsewhere, they all fit in nicely with the flow. The way audio moves from browser to track, track to sampler, sampler to Impact is just so smooth.
Selecting different tracks, either in the Console or the arrange window, is pretty much instantaneous. Tap and the note appears immediately! More of this please, PreSonus, and less of the waiting around for notes to appear and actions to activate! ARA 2.
Likewise, it has not previously been possible to pull in parts of other Studio One Songs into the active Song. You can drag an AAF file into the arrangement and all the tracks and layout are perfectly realised, and AAF is also available as an option in the Save As Importing data from other Songs is almost as easy. Choose which tracks you want and they appear in your new Song.
Artist Or Professional? Patterns are versatile and too much fun. You can now sample into the sampler. Cons The action of the Chord Track on audio needs work. Patterns need their own library. Multi-touch still not as smooth as it could be. Price includes VAT.
For the home studio, these are definitely the top choice at this price point. USB 2. They provide excellent imaging for monitors at this price. These come highly recommended. The perfect companion for any recording software, the AudioBox USB 96 comes equipped with Studio One Artist to provide you with a complete recording solution right out of the box. Compact and road-ready, StudioLive AR USB mixers provide a superior all-in-one solution for mixing and recording your performances at very affordable prices. Oskar Heil in
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This will be your guide through Studio One 4 and its options. From understanding the Start and Song pages to working with and understanding the Project page. Presonus Studio One – Producing, Arranging and Designing Music and Sound on Studio One. Anyone interested in home music production and engineering. matches In , PreSonus launched its first line of studio monitors, Eris, which offer professional-quality sound priced for project and home studios.